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Marta Shkedi Portrait

PHOTO BY OLESIA GHOHABI

Marta Shkedi

ART DIRECTOR, VISUAL ARTIST & MUSIC LOVER

Marta Shkedi, born in 1991 in Lubin, Poland, is a multidisciplinary designer with an innovative approach to graphic design, mixed media art, and her profound love for music. Her creative journey is marked by a unique ability to blend different mediums and styles, producing visually captivating pieces that push boundaries and explore new creative possibilities.

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Shkedi's academic pursuits led her to study Graphic Arts at the Academy of Fine Arts in Wroclaw and Warsaw, where she earned her Master of Arts degree. She further expanded her artistic horizons with a fellowship at Kyung Hee University in Seoul, South Korea. Her academic experiences have profoundly influenced her artistic vision, enabling her to bring life to her work in a variety of formats. In 2015, Shkedi presented her first solo exhibition in Warsaw as part of her diploma, marking a significant milestone in her artistic journey.

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After graduating, Shkedi worked as a graphic designer and art director in fintech-related companies. These roles allowed her to refine her skills and gain valuable industry experience. With a desire to explore her own creative vision, she founded her studio, MRTH Design.

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Her work is characterized by bold experimentation with colors, seamlessly mixing digital media with photography and painting. Her love for music continues to be a constant source of inspiration, infusing rhythm and harmony into her creations. Whether crafting a digital masterpiece or a physical installation, Shkedi always seeks to bring a fresh perspective to her work, leaving a lasting impression on all who experience it.

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Marta Shkedi's journey is a relentless pursuit of artistic excellence, continually evolving and redefining the boundaries of visual art and design.

Education

2010 - 2012

Academy of Fine Arts in Wroclaw, Graphic Art Department

 

2012 - 2013

Kyung Hee University in Seoul, Graphic Art Department

 

2013 - 2015

Academy of Fine Arts in Warsaw, Graphic Art Department

Awards

2015

3rd place Polish Contest for the Best Diploma of the Year

Exhibitions

Solo

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2024

'Crevasse’ Serigraphy on paper, acrylic on canvas and mixed media on canvas, Psifida Gallery, Paphos, Cyprus

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2023

'Formy’ Fine-art prints and mixed media, Exhibit8, Limassol, Cyprus

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2015

'Alefbet’ Diploma, Jewish Culture Festival, Salon Akademii Gallery, Warsaw

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Group

 

2015

‘Alefbet’ Diploma, Design 32 Competition, Rondo Sztuki, Katowice 

 

2014

'Forest’ posters, PKiN, Warsaw

 

2014

‘Body’ Plexi prints, Academy of Fine Arts, Warsaw

 

2012

‘The City’ mixed media, Student Show, Seoul

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2011

‘Autoportraits’, paintings, Slot Art Festival, Lubiaz

formy gallery preview 2.jpg

PHOTO BY OLESIA GHOHABI

ART PROCESS

From Solo Contemporary Art Exhibition FORMY

from exhibit 1.jpg

PHOTO BY EXHIBIT8

Skhedi experiments with colours and mixes digital media with photography and painting. In her work abstraction describes primarily a process that cuts across dimensions of digital and analogue, abstract and absolute. In Formy, the plural of the word form in Polish, the artist modernises and redefines the connection between nature and abstract forms by obscuring the boundaries of near and pure abstraction. The exhibition presents her latest artworks, limited edition giclée prints, mixed media paintings and a video installation created during the years 2020-2023.

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Artworks, such as Dead Birds (2020) or Flower Study 01, 02 (2023) have as a point of reference experimental photographic compositions of natural objects. In other cases, such as Purple Sky (2023) and Abstract (2020), the creative process starts directly with a drawing composition. The original composition is then manipulated digitally and then printed and hand-painted again, connecting clean lines with acrylic and watercolour. This process can be repeated several times, stacking up layers and playing with forms and formlessness.

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The detachment from the representational is perceived as an opportunity to expand the potential of form, natural or hand-drawn, actual or imaginary, while the seemingly continuous loop of layering organically connects the dynamics of analogue and digital. Marta Skhedi goes beyond notions of purity in forms and formats as her appreciation of slips and aberrations is spun with clarity and precision leading to lines and colours infused with energy and meaning. 

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For Skhedi the perfect and the imperfect are not mutually exclusive but are rather complementary. The exhibition lays bare the artist’s vision of aesthetic placement. Skhedi is captivated by the notion that all visible objects can have an ideal placement, at an ideal time, in any given environment. Undefined and fluid, yet solid and structured, Skhedi’s shapes hypnotize the viewer, fusing inspiration from the archaic, the rare, the unconscious. Her gestural vocabulary, intriguing and versatile, creates vibrant and euphoric visuals that can lead up to a glimpse of the future, exploring forms yet unknown.

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WRITTEN BY ELEANNA AVOURI

Marta Shkedi exhibition pictures-5.jpg

PHOTO BY EXHIBIT8

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